Recce Report

Penny's kitchen:

The disruption scene is where my keyframes are based. The majority of the scene is set in Penny and Stan kitchen. This is to reinforce the aspects that I have explored throughout my textual analysis. I decided to use a kitchen as it can be seen as an isolated domestic environment, only shared by two people, in this case, Penny and Stan. This therefore links with Tarantino's styles and themes used in Django Unchained and Inglorious Basterds as he commonly uses isolated areas to build suspense. 

I decided to use this kitchen as it has a 1960s feel to it, therefore it will fit the context of my film as this is when it is set.  Because of the 1960s feel to the kitchen, I will not have to dress the set as extensively as opposed to other sets. 

Penny's living room:

This set will be used for the very last key frame, which will portray Penny being waited on by the  now submissive Stan. Similarly to the kitchen, this room also conveys a 1960s theme. The large window located at the back of the room can be used to manipulate the use of light, and to signify Penny's loss of worries and problems in her life. I will ensure that the TV is not incorporated into the shot as I feel that this is the only fault in the setting, and portrays a modern feel, which I do not want in my film. 

The location of the settings are all located within the same house. This therefore makes the keyframes become more convenient. The location is easy to access, and due to it being an actual house increases the realism of the film. Previously I was going to use displays in IKEA for the locations of my film, however I feel that there were not many authentic and realistic looking displays. This the location of using IKEA would also have been less realistic and inconvenient to portray the keyframes in the film, such as the kidnapping aspects of the film.